Daniel Lozakovich was born in Stockholm in 2001, and began playing the violin in 2007, making his concerto debut with the Moscow Virtuosi Chamber Orchestra and Vladimir Spivakov two years later. Daniel has already performed as a soloist throughout Europe with orchestras including the the Orchestre national de France, the Orchestre Philharmonique de Radio France, the Royal Stockholm Philharmonic, Vienna Chamber Orchestra, Tchaikovsky Symphony, Moscow Philharmonic, National Philharmonic of Russia, the Orchestre de la Suisse Romande, the Konzerthausorchester Berlin, and the Lausanne Chamber Orchestra.

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The highlight of the concert at the Mariinsky Theatre in June was Beethoven’s violin concerto performed by the cherubic 15-year-old prodigy Daniel Lozakovitj. “You haven’t heard of him, but you will,” Gergiev said.

FinancialTimes

Recently, Daniel made his debuts with Leonard Slatkin and the Orchestre National de Lyon, Vasily Petrenko and the Royal Liverpool Philharmonic, the Orchestre national du Capitole de Toulouse and Lorenzo Viotti, the Swedish Radio Symphony with Robin Ticciati, the Danish National Chamber Orchestra and Adam Fischer. Daniel has a close collaboration with Valery Gergiev and the Mariinsky Theatre Orchestra, since they played together during the New Year’s concert 2015 at the Tchaikovsky Concert Hall in Moscow. He returned to the Mariinsky Theatre Orchestra to perform the Beethoven violin concerto at the closing anniversary concert of the 15th Moscow Easter Festival, and later at the Stars of the White Nights Festival in St. Petersburg, also the Baltic Sea Festival in Stockholm’s Berwaldhallen and at the Rotterdam Gergiev Festival with Prokofiev concerto. Daniel opened the Münchner Philharmoniker festival, MPHIL 360°, alongside Maestro Valery Gergiev and Munich Philharmonic Orchestra with Mozart violin concerto. He also performed the Bach Concerto for Two Violins with Shlomo Mintz and the Cameristi della Scala and Daniel Cohen at the Crans-Montana Classics 2016 New Year’s Concert.

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Lozakovich simply let his playing speak for itself without any of the unnecessary theatrics. He presented a pitch perfect performance […]

Masslive.com, Ken Ross, 10.07.2017